The "Albert Elbaz: The Dream Factory" catalogue is a moving tribute celebrating the life and work of the man and the designer. The catalogue brings together the curation of the entire exhibition in a one-of-a-kind printed edition: hundreds of photographs, fashion illustrations Alber Elbaz made from childhood to adulthood, photographs from the exhibition itself, his life story and his unforgettable quotes. We invite you to meet Alber - and fall in love.
"The Ball" exhibition discussed the connection between fashion, dreams, fairy tales and escape from reality. The catalogue unfolds the story of the exhibition over 250 color pages, connecting the history of the balls in the West and the fashion designed for them, to the works of leading fashion designers in Israel. In the catalogue you will find documentation for more than 120 dresses in historical and contemporary designs, sewn with luxurious materials and elite sewing alongside surprising and everyday materials, about 50 accessories, 22 models of Cinderella's shoes that were printed in 3D, an optical fiber dress, 6,500 macarons, and 17 hats inspired by desserts – all created especially for the exhibition.
Special exhibition bilingual catalogue celebrating a decade for the Holon Design Museum. It includes five articles written by key figures in the international and local design world, and a collection of design clichés . The catalog include pictures and explanations of most of the works in the exhibition.
The exhibition Je t’aime, Ronit Elkabetz grew from research of Ronit Elkabetz’s wardrobe. Research into the items reveals a time capsule encompassing Elkabetz’s life, allowing us a profound look into her existence, in dialogue with the world of cinema
The bilingual catalogue traces the development of eyeglasses through the mirror of history, philosophy, and culture. Alongside photographs of eyeglasses from the collection which appeared in the exhibition, the catalogue includes articles by a variety of authors from the fields of fashion, medicine, philosophy, design and art, providing an observation of this object from different perspectives.
This distinctive catalogue includes six articles in accordance with the six categories of the exhibition, an interview Oki Sato conducted with Maria Cristina Didero (the exhibition’s curator), as well as all the objects displayed in the exhibition. Contributors to the book include Galit Gaon, Dr. Ory Bartal, Marco Sammicheli, Glenn Adamson, Eric Chen and Libby Sellers.
The catalogue explores the use of machine in Haute Couture. Haute Couture, by definition, is made-to-order, high-quality and hand-executed, and for centuries has signified the ultimate in luxury and exclusivity. Conversely, machines typify the antithesis of couture, implying mass-production and decreased standards. Currently, however, we are witnessing a fascinating phenomenon of mechanical luxury – designers are reinterpreting couture as a hybrid of both mechanized process and customized craftsmanship.
The catalogue and the accompanying exhibition displayed at Design Museum Holon are more than a documentation of current trends. They are a Call for Action. They are a plea for a new “recognition of shade” and for the creation of “shade-scapes” in our urban environments.
“IN-Possible” catalogue offers the public a glimpse into the lesser known part of the Alessi Museum collection and reveals the inner workings of one of the leading Italian factories of design through a selection of projects that never saw the light of day.
The catalogue accompanied the “Stools” exhibition which presented about 450 objects created in Studio Yaacov Kaufman. The stools were presented as a complete and continuous course of action, resembling their own development process.
